Republicans aren’t mad gerrymandering exists, they’re mad that they’re not the only ones using it

Heather Cox Richardson | Letters from an American

HCR
Heather Cox Richardson

April 22, 2026

Virginia voters yesterday agreed to a constitutional amendment that would temporarily redistrict the state if any other state redistricted for partisan reasons: that is, in retaliation for the partisan redistricting President Donald J. Trump launched in Texas in 2025 in an effort to retain control of the House of Representatives.

As Matt Cohen of Democracy Docket noted, Trump supporters immediately insisted the voting was rigged, probably through mail-in ballots. Trump himself took to social media to attack the election, repeating charges of rigging and then adding: “In addition to everything else, the language on the Referendum was purposefully unintelligible and deceptive. As everyone knows, I am an extraordinarily brilliant person, and even I had no idea what the hell they were talking about in the Referendum, and neither do they! Let’s see if the Courts will fix this travesty of ‘Justice.’”

In fact, Trump himself began this mid-decade partisan gerrymander race with his pressure on Texas to rejigger its maps to give Republicans more House seats. That prompted California to retaliate with its own temporary redistricting to offset the new Texas Republican-leaning seats. Other states followed suit. Republicans redistricted Missouri, North Carolina, and Ohio, in addition to Texas, and expect those mid-decade redistricts will net them nine more seats. Democrats think their redistricting of California, along with a court-ordered redistricting of Utah, will get them an additional six seats. They are hoping that the temporary redistricting of Virginia will give them four more seats.

State lawmakers in Florida will convene a special session next week to consider redistricting that state, as well, to benefit the Republicans.

Journalist Brian Tyler Cohen noted that the Republicans have full control of the federal government and could pass a law to ban partisan gerrymandering any time they want to, as Democrats have called for, but they refuse. “Republicans aren’t mad gerrymandering exists,” Cohen notes; “they’re mad that they’re not the only ones using it.”

The Republican National Committee, now controlled by Trump, immediately sued over the Virginia election, and a Virginia judge ruled that both the constitutional amendment and the referendum voters approved were invalid. He said that “any and all votes for or against the proposed constitutional amendment in the April 21, 2026 special election are ineffective,” and prevented officials from certifying the results.

But, as Yunior Rivas of Democracy Docket wrote, Virginia attorney general Jay Jones is challenging the decision, saying: “Virginia voters have spoken, and an activist judge should not have the power over the People’s vote. We look forward to defending the outcome of last night’s election in court.”

Complaints about the Democratic push for a partisan gerrymander in Virginia have exposed a tendency to excuse Republican machinations to control politics while jumping on Democrats for similar behavior.

In August 2025, when Texas Republicans began this fight by redistricting their state after a brutal contest that drove Democratic legislators to leave the state and take refuge in Illinois and Massachusetts to deny Republicans enough legislators to pass a redistricting law, the Washington Post Editorial Board wrote: “What’s happening in the Lone Star State is not a threat to democracy.” “Even if Texas’s move triggers an arms race, the trend will not put American democracy on life support,” it said, dismissing the concerns of those fighting the Republicans’ attempt to game the 2026 elections.

But with last night’s Democratic partisan gerrymander—one that, unlike the Texas gerrymander, went before the people for a vote—the Editorial Board changed its tune. It called this redistricting plan “a power grab by Democrats.” “They’re right that the [Republicans] started this fight by trying to pick up five House seats in Texas through gerrymandering, but they can spare us the false sanctimony about democratic norms going forward,” board members wrote.

Their argument appears to be that the Democrats stand a good chance of winning the midterms even if the Republicans have gamed the system, so the Democrats should not push back. “The news will embolden Republicans in Florida to forge ahead with their own gerrymandering…, continuing the race to the bottom,” they write, seeming to excuse the behavior of Republicans by blaming Democrats for it.

This pattern—expecting Republicans to behave wildly and cheat to grab power while expecting Democrats to behave according to the rules of normal times—has been going on now for years, and it is a dynamic that reflects the political patterns of the years before the Civil War. Then, Americans expected southern Democrats to bully and bluster and rig the system while northerners tried to jolly them into honoring the laws.

In the 1850s, southerners championed their region as the one that had correctly developed the society envisioned by the Founders. In the South a few very wealthy men controlled government and society, enslaving their neighbors. This system, its apologists asserted, was the highest form of human civilization. They opposed any attempt to restrict its spread. The South was superior to the North, enslavers insisted; it alone was patriotic, honored the Constitution, and understood economic growth. In the interests of union, northerners repeatedly ceded ground to enslavers and left their claim to superiority unchallenged.

Then, on May 22, 1856, Representative Preston Brooks of South Carolina beat Senator Charles Sumner of Massachusetts nearly to death on the Senate floor shortly after a speech in which Sumner had called out those who were forcing enslavement on Kansas and insulted a relative of Brooks. Southern lawmakers and newspapermen alike cheered the violence against an elected representative in the Capitol. Lawmakers refused to expel Brooks, and one newspaper editor wrote: “We trust other gentlemen will follow the example of Mr. Brooks…. If need be, let us have a caning or cowhiding every day.”

But the attack on Sumner was a bridge too far for his colleague, Massachusetts representative Anson Burlingame. On June 21, he stood up in Congress to call out as inferior Brooks and the system of enslavement he defended. Burlingame was sick and tired of buying peace by letting southerners abuse the North. Enough, he said, was enough.

Enslavement was not a superior system, he said; it had dragged the nation backward. Slavery kept workers ignorant and godless while the northern system of freedom lifted workers up with schools and churches. Slavery feared innovation; freedom encouraged workers to try new ideas. Slavery kept the South mired in the past; freedom welcomed the modern world and pushed Americans into a new, thriving economy. And finally, when Sumner had spoken up against the tyranny of slavery, a southerner had clubbed him almost to death on the floor of the Senate.

Was ignorance, economic stagnation, and violence the true American system? For his part, Burlingame preferred to throw his lot with the North, which he said was superior to the South in its morality, education, economy, loyalty to the government, and fidelity to the Constitution. Northerners were willing to defend their system, he said, with guns if necessary.

Burlingame’s “Defense of Massachusetts” speech marked the first time a prominent northerner had offered to fight to defend the northern way of life. Previously, southerners had been the ones threatening war and demanding concessions from the North to preserve the peace. Burlingame explained that he was willing to accept a battle because what was at stake was the future of the nation.

Forgotten now, Burlingame’s speech was once widely considered one of the most important speeches in American history. It marked the moment when northerners shocked southern leaders by calling them out for trying to destroy democracy. Northerners rallied to Burlingame’s call, and to the new Republican Party he was helping to build, because he had shown it would stand up for their rights.

Representative Alexandria Ocasio-Cortez (D-NY) echoed Burlingame today when a reporter asked what she thought of complaints about the Virginia vote. “Oh, wah, wah, wah,” she laughed. “Listen. Democrats have attempted and asked Republicans for 10 years to ban partisan gerrymandering. And for 10 years, Republicans have said no. Republicans have fought for partisan gerrymanders across the United States of America, and these are the rules that they have set….

“What they’re just mad at is that they have been accustomed to a Democratic Party that rolls over, doesn’t fight, and takes everything sitting down. And what they’re mad at right now is that we are here in a new day. And we have been asking the Democratic Party to stand up and fight, and now they did, and now the Republican Party doesn’t like the fact that they are fighting against someone who actually will stand up for the American people.

“So if Republicans decide that they would like to revisit a ban on…partisan gerrymandering, I welcome them. We have the bill right here to end this all today. But they don’t want to because they like pursuing and continuing to enact an unfair electoral landscape. And so we have an obligation to defend ourselves.”

Source: Heather Cox Richardson | Letters from an American

Financial Times: ‘Hegseth’s broker looked to buy defense fund before Iran attack.’

Heather Cox Richardson | Letters from an American

HCR
Heather Cox Richardson

April 20, 2026

Late Saturday evening, Josh Dawsey and Annie Linskey of the Wall Street Journal reported that Trump was so unstable and angry after learning on April 3 that Iranians had shot down an American jet that his aides kept him out of the room as they received updates, simply telling him what was going on at important moments.

The journalists describe an erratic president who entered the war after Israel’s prime minister Benjamin Netanyahu convinced him the Iranian people would support such strikes and after his successful extraction of Venezuela’s president Nicolás Maduro and his wife Celia Flores convinced him the military could pull off another quick victory. He seemed to believe that if his gamble worked, he would be saving the world.

But while the strikes did indeed kill Iran’s top leaders and badly damage its military, the Iranians closed the Strait of Hormuz. Trump did not foresee this outcome, although he was warned of it. He told his team that the Iranian government would give up before it closed the strait and, if it did manage to close the strait, the U.S. military would handle it. The journalists report Trump has “marveled at the ease with which the strait was closed.”

Once the strait was closed, the president flipped back and forth between demanding other countries help reopen it and insisting the U.S. didn’t need any help, between wanting to fight and calling for negotiations. On April 5, Easter morning, after the recovery of the second airman, he turned to trying to scare Iranian leaders into reopening the strait and ending the conflict, warning: “Open the F*ckin’ Strait, you crazy bastards, or you’ll be living in Hell.”

He added an Islamic prayer to be as insulting as possible, he later told senior administration officials. That, like his threat that “a whole civilization will die tonight,” was “improvisational,” officials told Dawsey and Linskey.

Seemingly unable to figure out how to find a way out of the war, Trump has told aides he wants to focus on other topics, and shifted his attention to fundraising events for the midterms or details for his ballroom. Clara Ence Morse and Dan Diamond of the Washington Post offered proof of Trump’s growing enthusiasm for his ballroom, noting that he has called public attention to it on about a third of the days this year, mentioning it less than tariffs or Iran but more than healthcare insurance or affordability. And his focus on it has increased as the year has progressed.

On Friday, April 17, after Israel and the government of Lebanon agreed to a ceasefire, Iran opened the Strait of Hormuz to commercial—but not military—vessels. Trump declared the strait was “completely open and ready for business” and that Iranian leaders had “agreed to everything,” including “never to close the Strait of Hormuz again.” But Iran’s chief negotiator posted on social media that Trump had made seven claims in an hour and that all seven of them were false. Iranians said that if the U.S. continued its blockade of Iranian ports, as Trump said it would, they would close the strait again.

On Saturday, they did, firing on a tanker and two other vessels, all of which left the encounters safely. Yesterday Trump announced on social media that the USS Spruance intercepted an Iranian-flagged cargo ship, the Touska, as it tried to pass the U.S. naval blockade of Iranian ports. According to Trump, the U.S. Navy “stopped them right in the tracks by blowing a hole in the engineroom” and then took control of the vessel. Trump posted: “We have full custody of the ship, and are seeing what’s on board!”

Senator Chris Murphy (D-CT) posted: “We are spending billions to keep our entire navy in the Strait to fecklessly fail to open a waterway that wasn’t closed until Trump’s pointless war of choice closed it. He’s just burning your tax money.”

The two-week ceasefire between the U.S. and Iran, begun on April 7, expires on Wednesday, April 22. On Friday, Trump said: “Maybe I won’t extend it, but the blockade is going to remain. But maybe I won’t extend it, so you have a blockade, and unfortunately, we’ll have to start dropping bombs again.”

Today Nick March of the BBC explained the fact pattern behind the general suspicion that someone is engaging in insider trading over Trump’s war announcements. After matching the president’s market-moving statements to the trade volume on a number of financial markets, March found “a consistent pattern of spikes just hours, or sometimes minutes, before a social media post or media interview was made public.” Marsh notes a similar spike over Trump’s announcement of his “Liberation Day” tariffs of last April.

A new NBC News Decision Desk Poll out yesterday showed that 63% of Americans disapprove of Trump’s job performance, while only 37% approve. Fifty percent say they disapprove strongly, a sign that they will be highly motivated to vote in the midterms. Sixty-seven percent of Americans disapprove of Trump’s handling of Iran, including 54% who strongly disapprove.

This morning, Trump’s social media account responded to the bad news of the weekend, including the Wall Street Journal story, by dismissing it. “Israel never talked me into the war with Iran,” the account posted. “[T]he results of Oct[ober] 7th, added to my lifelong opinion that IRAN CAN NEVER HAVE A NUCLEAR WEAPON, did. I watch and read the FAKE NEWS Pundits and Polls in total disbelief. 90% of what they say are lies and made up stories, and the polls are rigged, much as the 2020 Presidential Election was rigged. Just like the results in Venezuela, which the media doesn’t like talking about, the results in Iran will be amazing—And if Iran’s new leaders (Regime Change!) are smart, Iran can have a great and prosperous future! President DJT”

Over the weekend, David S. Cloud, Alexander Saeedy, and Nick Timiraos of the Wall Street Journal reported that officials from the United Arab Emirates (UAE) have asked Treasury Secretary Scott Bessent and Treasury and Federal Reserve officials if the U.S. will provide a financial backstop for the UAE if the Iran war continues to damage its economy.

Meanwhile, over the weekend, Senator Jon Ossoff (D-GA) reminded an audience that Jared Kushner, Trump’s son-in-law, is “on the Saudi payroll for $2 billion,” a reference to the $2 billion a Saudi sovereign wealth fund controlled by Saudi Crown Prince Mohammed bin Salman (MBS) has invested in Kushner’s private equity firm.

“And now he’s leading American diplomacy in the Middle East. Apparently, while at the very same time, asking princes and sheikhs across the Arab world to give him billions more. If you’re watching this online, don’t take my word for it. Look it up for yourself.

“Can you imagine…a normal sitting U.S. ambassador just hitting up Saudi Grand Prince Mohammed bin Salman for billions of dollars? But he’s a Trump. A royal. A princeling. The rules are for us, not for them.

“And it’s not just Jared getting in on the action. A company owned in part by Eric and Don Jr. has been pitching Gulf kingdoms on its drone interceptors during this war. The Financial Times reported: ‘Pete Hegseth’s broker looked to buy defense fund before Iran attack.’

“I tell you what, never before have we seen so little effort to hide so much corruption. The Mar-a-Lago Mafia has taken American corruption to spectacular new heights.”

This afternoon, Trump’s account posted: “I’m winning a War, BY A LOT, things are going very well.”

But things were not going very well. On Friday, Sarah Fitzpatrick published an article in The Atlantic that portrayed Federal Bureau of Investigation (FBI) director Kash Patel as a poor manager who is terrified he is going to lose his job and whose overuse of alcohol, tendency to disappear, and purges of FBI agents who had investigated Trump endanger our national security.

After Patel’s behavior in the locker room of the U.S. men’s Olympic hockey team, during which he was filmed shouting and chugging a beer, Ryan J. Reilly, Gordon Lubold, and Katherine Doyle of NBC News reported that Trump was unhappy with Patel over the incident. Shortly afterward, Patel directed the FBI to fire at least half a dozen FBI employees who had been connected to the 2022 search of Mar-a-Lago, the Trump Organization’s property in Florida, where Trump was storing classified documents he retained after his first term.

Over the weekend, Patel seemed to try again to curry favor with the president. He told Fox News Channel host Maria Bartiromo that the Department of Justice is about to make arrests related to the 2020 presidential election that Trump insists—falsely—was rigged. “We have the information that backs President Trump’s claim,” Patel said.

This morning, Patel sued The Atlantic and Fitzpatrick for $250 million for publishing “a sweeping, malicious, and defamatory hit piece,” full of “obviously fabricated allegations.” The suit says “Director Patel does not drink to excess…, and this has not, and has never been, a source of concern across the government.”

The Atlantic says: “We stand by our reporting on Kash Patel, and we will vigorously defend The Atlantic and our journalists against this meritless lawsuit.” Scott MacFarlane of MeidasTouch notes that the discovery phase of this defamation lawsuit, during which parties testify under oath, “could be quite something.”

And yet at the end of the day, it was Trump’s secretary of labor, Lori Chavez-DeRemer, who abruptly resigned after accusations that she has abused her position, drinks on the job, and has had an affair with a subordinate. An investigation into her conduct was nearing its completion. She is the third person to leave Trump’s cabinet: all are women.

When asked about Patel’s fitness for office, House minority leader Hakeem Jeffries said: “Kash Patel is deeply unqualified, deeply unserious, and his behavior is deeply un-American. And he should no longer be the FBI director. That shouldn’t surprise anyone that I hold that view because he never should have been confirmed to begin with. And we have to stop putting all the blame on the people who nominated this incompetent, toxic, malignant individual. What about the people who confirmed him? And it’s extraordinary to me that Senate Republicans confirmed people like Kristi Noem, Pam Bondi, Pete Hegseth, RFK Jr., and Kash Patel. All of them. Deeply unserious and deeply unqualified. And now the country is paying the price because of the individuals that Donald Trump chose to nominate as part of the Trump cartel that’s now doing great damage to the nation, and the fact that Senate Republicans, like helpless sheep, went along with it all.”

Source: Heather Cox Richardson | Letters from an American

The Mekons: The Outsideleft Sunday Interview

Outsideleft.com independent Arts, Music and Culture Magazine. Newest story: The Mekons: The Outsideleft Sunday Interview

“We’ve always written stuff, not with a capital ‘p’ political, but just about how everything is impacted in people’s ordinary lives, whether you like it or not.”

The Mekons formed in the early days of punk, but quickly evolved beyond the sound of punk to incorporate country, folk, Cajun and world music influences in classic albums Fear and Whiskey (1985), The Mekons Rock ‘n’ Roll (1989), and I ♥  Mekons (1993). They have a diverse and exciting discography spanning almost five decades, and are known for their raucous live shows. The current line up is made up of Jon Langford (vocals, guitar), Sally Tims (vocals), Tom Greenhalgh (vocals, guitar), Susie Honeyman (violin), Rico Bell (vocals, instruments), Dave Trumfio (bass), Steve Goulding (drums) and Lu Edmonds (instruments). The Mekons latest studio album Horror was released on Fire Records in 2025, and is now being rereleased alongside Horrible, a remix album mixed by Tony Maimone of Pere Ubu. Tom Greenhalgh, one of the original founding members of the Mekon and part of their core lineup ever since, was kind enough to speak to OUTSIDELEFT’s Mekons enthusiast Jonathan Thornton over Zoom.

OUTSIDELEFT: The Mekons’ last studio album Horror is being rereleased, alongside Horrible, which is the remix album done with Tony Maimone from Pere Ubu. Can you tell us a bit about both projects?


Tom Greenhalgh:
 Yeah. The Horror album was actually recorded in August of 2022. We were planning to do that recording a couple of years earlier, but obviously Covid intervened, so that all got put on put on hold. And then we actually went to Valencia. The band are sort of distributed all over the place, a lot of them in America, some of us in the UK. So we met in Valencia through John Henderson, who does Tiny Global Productions. He’s out there, and he recommended the studio, so we went there, recorded the album, in August of ‘22 in about five days. And then it took another really long period of time to get it mixed and finished. That came out about just under a year ago. So we did a tour around the UK and Europe, and then in the States as well. In the intervening period before that album came out, which was mixed by the Baron who’s the bass player in the Mekons, Dave Trumfio, we spent a bit of time with Tony, because he’s an old friend, and he’d done some mixes of the tracks that we’d recorded in Valencia. But in the end, we didn’t use those on the album. So the idea for doing a remix album was almost simultaneous with the actual album. Tony had done some mixes already, and we told him we wanted it to sound as horrible as possible! So basically, he fulfilled that role. We wanted the remix album to come out as soon as possible after the album. But there were various delays. Don’t ask me what they were, I don’t know! But anyway, now we have both these albums, the first album, and then the remake, with wilder attack on the tunes.

OL: Had Tony had a chance to listen to the final version of the tracks on Horror before he worked on the tracks?
Tom Greenhalgh:
 No, he was just working on on the track, as they were, before the  other mixes were done. It was all done simultaneously – well simultaneously over a couple of years. So the Horror album, as it were, mixed by Dave Trumfio, was finished around the end of 2024 but Tony had been mixing these tracks basically from on and off over that period of time. There’s lots of different versions, lots of different mixes, so we moved elements and assembled them.

OL: It’s fun to listen to them back-to-back, because Tony’s mix is often very different to the version that ended up on the album.

Tom Greenhalgh: Well yeah, obviously that was the idea!

OL: The Mekons are known for their political engagement, and Horror is understandably a very angry record. Could you tell me a bit about the specific lyrical inspirations for the album?
Tom Greenhalgh:
 Yeah, but as I say, it was written and recorded in August of 2022, so that was about a year earlier than 7th October 2023, which you can see as a kind of real marker of everything getting even worse than it was before. Another way around, everything’s got significantly worse than it ever was. Now it’s almost like 2022, was this golden age of peace and tranquillity, compared to what it is now. So we have to say that really. I think if we’d done the album with those themes now, God knows. It’d be really, really different.

There’s a lot of lot of stuff going on there, just basic little ideas. John has a song ‘Mudcrawlers’, which was talking about these immigrants from Ireland washing up in Newport in South Wales, and who were left to scramble up the beach in the mud, often not making it, so that 50 years later, their bones were actually found. So that was the sort of spark for that one. David Olusoga, the historian who’s often on TV, I just happened to read something where he was talking about Cromwell’s invasion of Jamaica. I had no idea about that, so I tried to find out what I could about that. So that was an idea for a song. Plus, there was this book by Kojo Koram called Uncommonwealth, about the British Empire, and how Empire strikes back as it were. So there was a lot of different ideas just floating around about that, and of course, about American involvement in privatized wagging, of privatized theft dealing in all over the world, in Afghanistan and obviously in the Middle East. So there’s big companies that enable their employees to do all of that. That’s just off the top of my head. There was just a lot of different ideas. Even obviously in 2022 there was enough going on to provide plenty of material from that point of view. And as you said, we’ve always written stuff, not with a capital p political, but just about how everything is impacted in people’s ordinary lives, whether you like it or not. So it’s all going on.

OL: Within the band you have four different vocalists. How do you juggle having that many songwriting voices within the band?
Tom Greenhalgh:
 Yeah. There’s Jon, myself, Sally Tims, and Rico Bell. So there’s, there’s four vocalists, really. We’ll work quite freely when we’re writing and recording. And so it’ll be almost accidentally worked out who actually sings the song. Maybe someone will start singing it, and someone else have a better idea and give it a go, or someone will have an idea for a song that would be good for Sally to sing, and so on. So there’s no hard and fast kind of method, really.

OL: It sounds like a remarkably ego free process!

Tom Greenhalgh: Well, I’m not 100% sure about that! It all comes out in the wash, but basically we don’t really come to the studio with someone going, this is my song I’ve written, it goes like this, and I want this to happen. It’s more collaborative, I think.  

OL: You always get that sense listening to Mekons records that it feels like a bunch of people in a room playing off each other…
Tom Greenhalgh:
 Yeah, hopefully! There’s very much that kind of thing going on.

OL: The Mekons are also known fore the range of different influences you’ve brought into your music over the years, from your punk beginnings to folk and country, then later on Cajun influences. Where does this musical curiosity come from?
Tom Greenhalgh: 
I don’t know how useful these things are, but technically, the Mekons were not in the very first wave of punk. We were more like what you might call post punk. Punk was very much speeded up rock and roll, which is great, whereas post punk was an opening up. I think the one thing about to me and to us at the time was that it was basically a big permission to do anything you wanted to do, one to actually be in a band. Even though you weren’t necessarily a musician, or even accomplished musicians, you could do that. And you can do anything you wanted to do. The initial feeling around that time was real freedom to do and try anything. I think that’s what a lot of the bands coming up at that time did. We went through a few ups and downs and so quite quickly after our first album. By the time we were doing our second album, which came out in about 1980 I think, we were already really doing quite a lot of different experimental stuff with synths and so on. And then a bit later on, when the punk scene had sort of died a death, really, in terms of any actual creative input, we started listening to country music. And thought okay, this is very similar. When you say country music, it covered a multitude of sins. But the real classic stuff, like Hank Williams or Johnny Cash, you got three chord songs which were about ordinary lives, about ordinary people’s feelings and so on. So we moved into that. And I was really huge fan of Charlie Gillett, who’s a DJ and writer. He’s long, long dead now, but in the 70s, he was DJ on Radio London, which we used to listen to. And he played pub rock and swamp music, Cajun, all that kind of music. I was introduced to by Charlie Gillett, and he then moved into African music and played a lot of that stuff. And he had a record label that put out an album called Another Saturday Night: Louisiana Jukebox Hits, and that was fantastic album of these different Cajun and Cajun-related music. And I think at the time, we did covers of virtually the entire album, just in our live set, and some of them made it onto record. That was a big influence. And then then, basically, we always had a wide interest in different music. I mean, certainly when it was a punk thing, reggae was really important. When you had punk gigs, the format was, you’d have the maybe three or four bands, and in between the bands, the music was strictly dub. So that was always what was going on back then. Reggae and dub music had always been huge. So all that filtered in to what we were doing. We’re not trying to copy them or anything, it’s the basic vibe.

OL: The Mekons have been a band now for almost 50 years. How do you feel about it now, thinking back on your history?

Tom Greenhalgh: I don’t know, really. We don’t give it a lot of thought in those terms. I mean, there is a thing in a pipeline with Fire Records, again, a box set of the first Mekons album and some demos that have never been released around that time, and John Peel sessions from basically between 77 and 81. That’s due to come out hopefully beginning of next year. And we’re doing a book to go with that, which is called Mekons Scrapbook, which is just bits and pieces of the original band. There were kind of two versions of the Mekons, because the original band with the singers Andy Corrigan and Mark White and guitarist Kevin Lycett, bass player Rod Allen, we kind of reformed alongside the other Mekons. So myself and Jon Langford were in both versions. And we did an album around 2017 of the original Mekons, it was called Mekons 77, we will hopefully do a bit more of that at some point. So in terms of sort of a kind of legacy, it’s very much alive, I’d say, because we’ve got the original band, and the ongoing band. So it’s quite a lively thing. And hopefully, the music still stands up.

OL: Yeah, I’d say so!
Tom Greenhalgh:
 We were in a museum. We were in the Leeds City Art Gallery as some kind of museum exhibit. But obviously, after 50 years, that’s probably quite appropriate! But also, you know, we feel still living and breathing, just about!

OL: Given you’re now all living across different continents, does that make it difficult organising rehearsals and recording new music?
Tom Greenhalgh:
 Well, we’re talking on Zoom! We very rarely use Zoom in the Mekons. It’s not hard to communicate, get stuff organized. We’re not working all the time as the Mekons. So it’s just like when we do, that’s what we do. It’s just a case of getting everyone together in the same place at the same time, then we can do it

OL: It sounds like a busy couple of years, because there are these two albums out, the reissue coming out, and a tour across the US and UK. Is there more new Mekons music scheduled for the future as well?
Tom Greenhalgh:
 New music? Yeah, nothing ready to see the light today, but yeah, of course, there’s always stuff bubbling away.

Thank you for speaking with OUTSIDELEFT, Tom Greenhalgh!

Source: The Mekons: The Outsideleft Sunday Interview in OUTSIDELEFT